EXHIBITION   I  JUNE-JULY 2018  I  TILDEN HOTEL  I  SAN FRANCISCO

Painting and Poetry

In 2017, local artist Tan Sirinumas had the opportunity to create a series of paintings for the lobby and coffee shop of the Tilden Hotel with fellow artist, Jesse James Johnson. Together they used the written works, entitled ‘Stargazing’ and ‘San Francisco,’ and created background visual art for each one, mining the words of the poems and creating an image that they felt matched the soul of each piece. This process created the collaborative images you see in parts of the Tilden Hotel today and sparked within Tan a fascination with collaborative poetic imagery. 

 

As a community-based artist, Tan works with a diverse group of artisans and his work aims to support local poets and artists to find a place to explore and display their craft. This show is an invitation for the poets hiding within our neighborhood to shine a light on their poetry and share their work with those who visit our city.

 

Using clay and acrylic on wooden panels, Tan uses laser technology to create rich images that evoke the beauty of poetic inspiration. 

A recipient of the Wildflower Institute’s Fellowship Program, Tan has been working with fellow Tenderloin artists and residents to create an artistic community that inspires strength through community support.

Featured Poet: Jesse James Johnson

 

Guest Poets: Charles Curtis Blackwell, 

                     Dorian Dorey Rhodes,

                     Sean Stout

                    and Windy Click

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Tilden Art Program

TAN PAINTS THE TENDERLOIN

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Starring Tan Sirinumas
Directed & Edited – Matthew Bunker
Cinematography – Ryan Matthew Hagerty Moore
Producers – Matthew Bunker & Helen Bean
Composer – Dalton Corr
Color & Finishing – Neal Kumar Moorthy
Assistant Camera – Benjamin Rehm & Zack Fuson
Grip – Jessica Schlegel
Production Assistant – Adriana Abrams-Wolffsohn

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Hospitality House Community Artist Spotlight: Tan Sirinumas

It was eventually through my contacts with the Hospitality House that I was introduced to the Hidden Gems in the Tenderloin project, and that I began to develop a sense of exploration for my own neighborhood. In 2014, I became a member of the Wildflowers Institute as well as the Tenderloin People Congress. These decisions really drove me out of my comfort zone in terms of making art. It made me curious about the people in my community and at the same time, I came to realize that there were so many buildings in the Tenderloin from which to draw inspiration for my art. I’ve always loved design and architecture and I wanted to show how the current situation in the Tenderloin, the struggle, the vulnerability, the influence of money, and the importance of culture and history, has come to represent the people who live here. Not only that, I wanted to show the beauty that exists in the Tenderloin. I want to preserve that beauty and history of the Tenderloin.

Through my relationships with these various organizations, I have begun to challenge the limits of my own work. I have begun learning and experimenting with different technologies and resources to create new ways of approaching my art. Today, I see myself growing alongside these community organizations in helping the people of the Tenderloin to stay strong and thrive in our lives, despite the hardships we go through together.

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